What does it mean for a text to be
sacred?
When I was growing up, my father read
the Christmas story from the Bible each year, but this was our sole
connection to any traditional sacred text.
In my adulthood, my mother found meaning
through art and photography, philosophy, science, nature writing,
poetry. She often quoted Gregory Bateson and others. My father died
when I was young, and I am not sure what he considered sacred
– perhaps the physiology of plants that was the foundation of his research and his teaching, perhaps the garden in which he grew
delicious vegetables or the orchard that brought apples and peaches
to our kitchen. As adults, my brothers connected with
Christian texts and now find meaning in Jesus. I turned to Judaism and
delight in Torah and Talmud.
In the interfaith and environmental work that I do, I
often speak of three kinds of sacred texts: the texts of our lives –
our life stories and experiences, the texts of the Earth – the
stars, the rocks, the plants, the water, the creatures that populate this amazing planet, and the texts of our tradition, whether that be the Hebrew Bible, the Christian Bible, the Koran, or something else, quite different. To help people understand the broad nature of what I encourage them to consider “sacred text,” I often
say that in my childhood home, Winnie the Pooh
was sacred text.
I've said this many times, but I had never tried to articulate what it really means. And then, this week, I had an experience that clarified for me just how it is Winnie
the Pooh is, for me, truly a sacred text.
My brother Tom recently moved to Flint, Michigan, and my brother David and I traveled from New Hampshire and Massachusetts, respectively, to visit
him. We met and talked with many of Tom's friends, we saw places
he frequents in Flint, and we had deep and meaningful conversations.
On the morning of our last day together, we took a walk in Kearsley Park, across the street from my brother's home. We enjoyed the
open air, the trees, and the streams flowing through the park. As we
crossed one of the wide bridges in the park, Tom suddenly said, “How about if we play Pooh
sticks?”
If you
know Winnie the Pooh at
all, you know the game of Pooh sticks, which Pooh and Piglet were
playing when poor old Eeyore came floating down the river, upside
down, having been “bounced” into the river by the rambunctious
Tigger. Pooh sticks was a favorite childhood game of ours, played at any opportunity of a bridge over a stream or river while on
hikes and walks with our parents, or when off exploring on our own in campgrounds around
the country. Playing Pooh sticks connected us to the times when our father read aloud the chapters of Winnie the Pooh and
The House at Pooh Corner, times
when our family came together and bonded with shared listening,
laughter, and delight.
On this early summer morning, David and Tom and I played Pooh
sticks in Flint. We found sticks, we dropped them in the water, and raced
to the other side of the bridge to see whose stick came through
first. We joked together, smiled together, and laughed heartily, laughter that unexpectedly brought me to brief, deep, inexplicable tears.
We commented on the water, the trees, and our shared experiences of
Pooh as children and as a family. And in this moment, it became
crystal clear that, in the context of our family, Winnie the Pooh
is, indeed, a sacred text.
Together in Flint my brothers and I shared a ritual, the ritual of a game. We remembered shared times
of the past, times of healing and bonding in our family of
origin. We understood that this text held meaning for everyone
in our family. It was and is a text through which we can all connect, each and every one of us, through space and time, even though our parents are no longer with us.
Later,
I was reading a d'var Torah written by my friend and colleague Cantor
Marcia Lane on this week's Torah portion, Beha'alotekha. It
is in this portion that two upside-down letter nuns
are found in the text. Cantor Lane offers some of the suggestions of
commentators as to the meaning and purpose of the strange and unique
appearance of these letters in our text, but all of them are just
that - suggestions. No one knows for sure why these nuns are
there. It is a mystery.
Mystery.
That is part of what makes a text sacred. What are the mysteries
found in Winnie the Pooh?
Though far from the realm and power of the mysteries found in Torah and Bible, one may, nevertheless, comment on and discuss just what is a Heffalump. One may ponder
the meaning of having one's head stuck in a jar. One may consider and compare the
“personalities” of Eeyore and Pooh and Piglet, Kanga, Roo, and
Tigger. One may wonder about the role and significance of Christopher Robin. Always,
one can find answers, and always one can find more questions. Always,
at least in our family, one can find meaning, and always one can find connection.
These are traits of sacred texts. Sacred texts come in many forms, but they all provide meaning and connection. They
give rise to rituals with meaning beyond the actual actions we take.
They maintain a sense of mystery. And they are powerful tools for
healing.
Each of us has
unexpected sacred texts in our lives. The more clearly we identify them as
such, even when at first glance they appear to be far from sacred, and the more often we connect them to the texts of our lives
and the texts of the Earth, the more powerful and meaningful they become in our lives.
My brothers and I
practice different religions. Our parents practiced little or no
religion. But through our shared connections to a very personal and
particular text, Winnie the Pooh, and through the playing of Pooh sticks which connects us to the texts of
the streams and sticks and sky and trees as well as to the texts of the
stories of our lives, through all of these combined together we find meaning, build
stronger connections, and heal the hurts of the past.
Thank you, A. A.
Milne, for giving us your stories.
Rabbi Katy Allen is a board certified chaplain and serves as a Nature Chaplain and the Facilitator of One Earth Collaborative, a program of Open Spirit. She is the founder and rabbi of Ma'yan Tikvah - A Wellspring of Hope, which holds services outdoors all year long. She is the President of the Boston-based Jewish Climate Action Network.
Rabbi Katy Allen is a board certified chaplain and serves as a Nature Chaplain and the Facilitator of One Earth Collaborative, a program of Open Spirit. She is the founder and rabbi of Ma'yan Tikvah - A Wellspring of Hope, which holds services outdoors all year long. She is the President of the Boston-based Jewish Climate Action Network.
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